media Archives

Posted on April 7, 2015September 5, 2019 by Briana Proctor

SAAM Online Activism: Use Your Hashtag for Good

This year, you can spread awareness during Sexual Assault Awareness Month without ever having to leave your keyboard. Ever since the word “hashtag” made its way into Merriam-Webster dictionary, it seems we can no longer ignore the power behind the little symbol, once known as the “pound sign.” Online activism is trending now and what better way to spread awareness about sexual violence than through the power of the internet. In a world where social media is so pervasive, we invite you to participate in SAAM and use your hashtags to advocate for the end of sexual violence.

Using the #SAAM or #SAAM2015 hashtags not only increases awareness to those who follow you, but also connects you with other activists in the movement. Take to Twitter to share the news and inspirational tweets of fellow advocates. See below for details on an Anti-Street Harassment Tweetathon on April 14, where you can be a part of a global event, 140 characters at a time.

Of course, Twitter isn’t the only outlet to paint the town teal. The National Sexual Violence Resource Center (NSVRC) is challenging Instagram users to a #30DaysOfSAAM Instagram contest. Follow them on Instagram @nsvrc to see each week’s challenge posted. Below is an image of the challenge for week one of SAAM. Good luck!

Another way to stay involved is through our Facebook page. There you can find links to events, related articles, photos, and news from the Center during #SAAM2015. Invite your friends to like our page. Be sure to RSVP to the different events we’re hosting this month and invite your friends to those events as well.

Continue reading SAAM Online Activism: Use Your Hashtag for Good

Posted on January 12, 2015September 5, 2019 by Briana Proctor

Stalking in Popular Culture

In honor of Stalking Awareness Month, I’d like to explore how stalking and other forms of sexual harassment are depicted and discussed through the media we consume. Countless media portrayals regularly misrepresent stalking and other forms of violence, leading to victim-blaming, minimization, and disbelief from society at large.

These misrepresentations can often wildly skew our understanding of offender typology; this is especially true of films such as Fatal Attraction, Misery, and Swimfan – in which the main offenders are women, distracting audiences from the fact that men make up nearly 90% of stalking perpetrators. Beyond even misinformation, the media’s biggest blunder when it comes to stalking is its tendency to minimize and even romanticize stalking behaviors. While this problem spans a wide variety of popular media, I’d like to focus on music.

More so than movies and television, music has constantly attempted to explore the themes of sex, relationships, and love. And as we all know, where there’s love, there’s also the misapplication of it. While there are literally countless examples of romanticized violence in music, I’m going to focus on only two recent songs and their respective music videos: Maroon 5’s “Animals” (2014) and Death Cab for Cutie’s “I Will Possess Your Heart” (2008). I’ve chosen these two due to the extreme disparity in their styles, just to highlight the spectrum of these misinterpretations.

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Posted on January 15, 2014September 5, 2019 by Briana Proctor

Downton Abbey’s Epic Fail, and What We Can Learn From It

** Spoiler alert/Trigger warning: If you’re a Downton Abbey fan who has not yet seen the most recent episode, which aired this past Sunday, January 12, in the US, spoilers are ahead in this blog post. Also, there is no explicit trigger warning for sexual violence on the episode, but there should be.

If you’re a fan of Downton Abbey, you’re already well-aware of the show’s appeal factors, but for the rest of you, I’ll give you a brief rundown: It’s a British period drama about English aristocrats and the servants who work for them in the years leading up to, during, and after WWI. Pretty much everyone is white, and among all those white folks, there’s a lot of tea drinking, lavish costumes, light humor, and no small amount of snark. And, of course, there’s drama.

But the appeal of Downton, at least until Sunday’s episode, has always been the incredible restraint with which that drama has been handled. Much of it is entirely inconsequential to anyone who’s not a member of the early 20^th century landed gentry — missing cufflinks, dinner served from the wrong side, etc. — and even when there is a genuinely catastrophic event, such as the death of one of the show’s main characters, it is handled with a subtlety and gentility that hits the appropriate emotional notes without leaving the viewer feeling their concern for beloved characters has been taken advantage of and used against them. Or such was the case before Sunday’s episode.

You can read an in-depth recap of Sunday’s episode here, but suffice it to say that all but the last 8 minutes were traditional Downton fare, with potential suitors, dinner guest drama, and a jar of jam breaking in the kitchen (no, for real, that was a whole thing). So when, in the final few minutes, we see Anna, arguably the most morally upright character on the show, downing Alka Seltzer alone in the empty kitchen while the rest of the household are upstairs listening to a performance from a visiting opera singer, my first thought was, “Oh dear, another health crisis storyline.” It wasn’t until Anna turned around to find herself face-to-face with a visiting valet whose previously open, charming face is suddenly glowering with menace (subtle!) that I realized the direction the scene was headed. Even so, this is Downton Abbey, not Law & Order: SVU. Surely someone would burst in at the last minute and stop him, right? Right?! Wrong.

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Posted on October 3, 2013September 5, 2019 by Briana Proctor

There Is Only One Line: Consent

After spending some time abroad, I returned home to find that Robin Thicke’s summer hit Blurred Lines was a widespread phenomenon, gracing the radio waves of top 40 stations across the nation. With a catchy tune, nice beat, and memorable lines, more than once I caught myself singing along without quite considering the words I was saying – until law students from Auckland University remade the song into a feminist anthem (warning: adult content).

Adelaide Dunn, Olivia Lubbock, and Zoe Ellwood tag-team to unveil the damage inflicted by the overtly misogynistic lines normalizing sexual advances despite “blurred lines” of consent, with self-assured men chanting, “I know you want it, but you’re a good girl.”

As reported in the New Zealand Herald article “Law Students Blur the Lines in Online Hit,” Thicke has responded to allegations of misogyny by noting “the song was about breaking taboos.” Yet Dunn, Lubbock, and Ellwood retorted that the “attitude of the whole thing came across as being quite arrogant, especially with the issue of consent.”

Project Unbreakable (from whom we’ve re-printed pictures in this blog post) is an organization founded to help sexual assault survivors in their healing process by photographing themselves with quotes taken from their abusers in order to break the silence and shame surrounding their victimization. Some of these photographs were recently published in conjunction with the University of Minnesota’s The Society Pages in an article titled “From the Mouths of Rapists: The Lyrics of Robin Thicke’s Blurred Lines.” The parallels to Thicke’s lyrics are unmistakable. Echoing the lyrics, survivors were pictured with phrases such as, “I know you want it,” “Good Girl,” “We both know you don’t really mean it when you say no,” and “Thank you for making me feel like a Man.”

Continue reading There Is Only One Line: Consent

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