“This thing… it’s gonna follow you”

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An Exploration of Rape Trauma Syndrome in It Follows

Horror films have a complicated and long history of depictions of rape. As many people have pointed out before me (most famously in Carol J. Clover’s Men, Women, and Chainsaws: Gender in the Modern Horror Film), the violence in horror movies tends to be undeniably gendered, sexualized, and unabashedly voyeuristic. Also, let’s not forget rape/revenge films: a cult subgenre of horror in which an assault survivor creatively dismembers her (often multiple) attackers after being similarly brutalized herself on screen.

At first glance, it may seem that the rape/revenge subgenre might be empowering for survivors. However, it nearly always simply serves as a vehicle for more and more sensational and gratuitous violence and, ultimately, a reinforcement of the status quo for our society’s understanding of survivorship. While these movies include sexual assault as a direct part of the plot, others feature story lines that present allegories for survivorship — intentionally or not.

One such movie is It Follows, an independent film released last March that was described to me as a story about “a sexually-transmitted haunting.” This phrasing immediately made me think of STI prevention and safe sex cautionary tales. As a lover of horror and sex education, I was on board immediately. I expected images and metaphors of disease transmission, condom use, or the plague fear-mongering so commonly seen in modern zombie films. But instead, the visuals and set-up of this film immediately brought trauma response to mind.

Admittedly, it is not uncommon for me to see symptoms of trauma when they are not intentionally being depicted. I work one-on-one with sexual assault survivors as a Companion, and I am a rape survivor myself who experienced a case of Rape Trauma Syndrome which lasted for years, so it’s not unnatural for me to read my own experiences and training into the media I’m consuming. By the director’s own admission of the inspiration for the film – a recurring dream he has had since childhood – I sincerely doubt the meaning I took from the film was intentional on his part. However, I saw it with a friend of mine, also a survivor, who saw the same metaphors that I did. Maybe the intentions of media aren’t quite as important as the messages the audience can take from it. I believe this is especially true for survivors of sexual assault, who often never feel safe or comfortable publicly identifying as a survivor. In such an isolated state, it’s common for survivors to feel like they are ‘crazy’ or overreacting. Without honest, accurate, and sympathetic depictions of the toll of sexual assault, survivors will continue to feel like they are damaged and alone in their trauma symptoms.

Rape trauma syndrome (RTS), a form of post-traumatic stress disorder (PTSD), is a stress response very commonly experienced by survivors of sexual assault and rape. Symptoms can occur immediately after an assault and may continue for months or even years afterwards. It is characterized by disruptions to normal physical, emotional, and social functionality. Physical symptoms can include shock, sleep and eating disturbances, and fatigue. Behavioral and emotional symptoms cover many issues including disorientation, purposefully isolating oneself, fear of being alone, crying more than usual, feeling restless or agitated, emotional numbness, hypersexuality, increased anxiety, feelings of guilt, feeling alone, and more.

Every survivor’s emotional experiences after an assault are uniquely personal, and symptoms can be as varied as they can be damaging. The symptoms I’ve listed here are only a few of those possible, and I chose to only include symptoms that I saw depicted in the film, which should give you some indication of the scope and variety of RTS experiences.

It Follows focuses on the story of Jay, a girl in her late teens or early twenties living with her inattentive mother and sister. The horror portion of the film doesn’t really start until Jay goes on a third date with a guy named Hugh, who seems to be roughly her age. After having consensual sex with Jay, he then chooses to chloroform her and tie her to a wheelchair in an abandoned parking garage. He does this in order to have an opportunity to force her to listen to some very unbelievable and time-sensitive warnings. He tells her:

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Happy Consensual Halloween!

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Costumes Are Not ConsentCarved pumpkins line walkways, candy corn is everywhere, and fake cobwebs are hanging from my neighbor’s porch: it’s almost Halloween. We’ve already posted about the difficulty of finding a women’s costume that isn’t restricted to a “Sexy [Noun].” Hopefully you’ve settled on a costume that makes you feel great, whether that means channeling Diana Ross or Darth Vader. Halloween is a holiday when you can try out a different identity, play around with your appearance, and have fun being someone else. However, it’s important to remember that all the rules on consent and sexual harassment don’t change just because it’s October 31.

Slut-shaming and victim-blaming are two tactics often used to excuse people who commit sexual assaults, especially when alcohol is involved. Myths about rape perpetuate the idea that sexual assault survivors are responsible for their own assaults because they were dressed in a “sexy” way, because they drank alcohol, or because they didn’t fight back. This victim-blaming can be exacerbated on a night where women are not only encouraged but expected to be scantily clad. In a society in which one in four college women are raped, a “Sexy Nurse” costume should not be used as an excuse for sexual assault.

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